2015
\\ Between November 23 and 27 of 2015 at UFU’s Santa Monica campus, in parallel with the event Sala Aberta, the first edition of PARALELA arte.corpo.performance took place as a space and moment so that the Dance program students and professionals in the area of body performances could dialogue among art, body expressivity, experiences and ideas.
art.body.performance
PARALELA resulted as a desire to amplify possibilities and artistics exchange, and abides, since the first edition, to its proposal:
forming artists
as artists.
In 2015, PARALELA gathered, amongst artistics presentations, an artistic residence with the performer Michelle Mattiuzzi and a round-table discussion about performances with the participation of Ricardo Alvarenga.
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The first edition of PARALELA received an expressive schedule. The students, enrolled artists and guests worked with the suggested theme: the most unusual and less likely places for artistics occurrence:
(a bathroom, a sidewalk,
a backyard, a roof, a tree,
a corner).
These were the productions and artists who made PARALELA happen in 2015:
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NADA, TUDO VIROU NADA, by Rosângela Borges;
SE VESTINDO DE MIM, by Thassia Camila;
FECHOS, by Aline Salmin;
BOLSA DE VALORES, by Zezé Grillo;
ESTAR E NÃO ESTAR, by Isabella Henriques;
A BONEQUINHA, by Camila Oliveira;
VAGA EXCLUSIVA PARA QUALQUER UM, by Fernanda Bevilaqua;
ESPANTO E HESITAÇÃO, by Juliana Bom-Tempo;
UM QUADRADO BRANCO NO MEIO DE UM LUGAR, by Victor Gargiulo;
O QUE ESTÁ OCULTO POR TRÁS DO VISÍVEL, by Cláudia Regina;
DANÇAÇÕES PARA FOTO-GIF-VÍDEO-PROJEÇÕES, by Aline Salmin, Rosângela Borges, Ana Paula De Paula, Fabiana Garcez, Wesley Claudino, Artur Ayroso, Ricardo de Moraes, Isa Henriques e Deborah Furtado (under the supervision of professor Ricardo Alvarenga);
ELOGIO À CEBOLA, by Alexandre Molina;
MERCI BEAUCOUP, BLANCO, by Musa Mattiuzzi.
